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There is a scene in the indie Swedish movie EVIL ED where Ed *SPOILER ALERT* gets his head blown off with a shotgun! As a kid, I loved watching this. It was so awesome and so bloody… it satisfied my fragile mind.
"The conquest of fear lies in the moment of its acceptance. And understanding what scares us most is that which is most familiar, most common place"
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I got one of my favorite horror films, Pet Sematary, on DVD a month or so back. First thing I did was skip right to the part where the mother returns to the house at night and imagines her insane (and long dead) twist-backed sister greeting her there, and instead finding her resurrected son dressed in some fancy bib and holding a scalpel saying he "has something for her" - CHILLS!
âThe Fright Night remake is a film which taps into the audienceâs deepest rooted fears, such as those of vampires throwing motorcycles at them. I dread the thought of a vampire throwing a refrigerator or a deskjet printer or... Iâd better stop before I give myself nightmaresâ
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Wow. I would have totally fast-forward to the first time we actually see Zelda. She gave me a near-heart attack when she first appeared.
"The conquest of fear lies in the moment of its acceptance. And understanding what scares us most is that which is most familiar, most common place"
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Well the scene I'm talking about (just the part with Zelda being there, not the rest) is actually exclusive to the film, but I personally think it adds to it.
A major theme of both book and film is coping with death. I think it's sort of darkly poetic in that Rachel basically "plays favorites" in handling the death of two relations, both dependent on her and neither of which did her real harm: where she is horrified of the thought of Zelda coming back to life, she is overjoyed to see Gage walking again. It's the sort of double standard that she takes to the matter of unnatural resurrection which highlights the whole "sometimes, dead is better" theme, and gives Gage turning rotten on her (despite her thinking his coming back could only bring good) an ironic angle.
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Back on topic, there are a couple endings to horror films I find the right combination of chilling and beautifully-made to watch again and again; the ones I'm thinking of at the moment are Tourist Trap and Phantasm. A BIG part of that are the scores, although the emotional factor in general is a pretty big part of it as well. I think I have a thing for horror that turns out genuinely tragic in the end >.>
âThe Fright Night remake is a film which taps into the audienceâs deepest rooted fears, such as those of vampires throwing motorcycles at them. I dread the thought of a vampire throwing a refrigerator or a deskjet printer or... Iâd better stop before I give myself nightmaresâ
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Briggs, I gotta admit that I thought I was the only one who kinda saw the bittersweet pros and cons of coping with death. We all experienced it one way or the other and we all wish that the person would come back and if they do we'd be overjoyed… but at the same time it could be horrifying. I think you nailed the tack on the head with your analysis.
"The conquest of fear lies in the moment of its acceptance. And understanding what scares us most is that which is most familiar, most common place"
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The Brain Dead/Dead Alive 'I Kick arse for the Lord' scene never gets old.
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