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Yes it does
âThe hottest places in hell are reserved for those who in times of great moral crises maintain their neutralityâ
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I was pleasantly surprised by The Descent, having come into the film thinking it'd be something like The Cave, a slightly below-par creature feature that came out around the same time.
Needless to say, the worrisome atmosphere of the caves and savagery of the creatures won me over. Now that I think back on it, the womens' backstories were effective in keeping a disturbing tone as well. I kind of took Sarah's flashback for granted during the film itself, but it was pretty creepy in retrospect, foreshadowing the violence in her future.
I'd maybe call it one of the best of the last decade (not saying much, with so many "missed opportunities" in the past decade), although I think there are ways it could have been more effective, such as more precise camerawork. Call me crazy, but I was also not a big fan of the pre-cave character banter, which seemed to me to drag on with little regard for the atmosphere of the piece as a whole.
I'd say it gets a a 7-7.5/10.
âThe Fright Night remake is a film which taps into the audienceâs deepest rooted fears, such as those of vampires throwing motorcycles at them. I dread the thought of a vampire throwing a refrigerator or a deskjet printer or... Iâd better stop before I give myself nightmaresâ
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The UK ending is far superior, I agree. But I did enjoy the second movie.
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I really enjoyed The Descent mainly because it really accomplished that claustrophobic atmosphere. The clutter, the coloring and the feeling of being cramped made me uncomfortable sitting on my couch. As for the ending, I don't remember it that much except for the faux ending. I haven't seen the second movie and I guess it's because I really didn't see the appeal in it.
"The conquest of fear lies in the moment of its acceptance. And understanding what scares us most is that which is most familiar, most common place"
- Chris Carter
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[COLOR="Red"]Visually, the movie is fascinating. Many directors, even the good ones, cannot film a horror scene taking place in an underground den, because they put too much lights in it. The director in this film, on the other hand, understands that a dark cave is supposed to be "dark". Outside the small range of torches and lights, you see "nothing" as in BLACK -- Exactly as it is supposed to be! This creates a realistic atmosphere. I also appreciated how they administered to vary the light effects from scene to scene.
Although the monsters who have their resemblance to Gollum (Lord of the Rings) don't show up soon, even the beginning part is thrilling and claustrophobic. Overall, there are several shouts and a couple of truly jumping moments!
There a couple of criticisms... yes! we are aware of that.
Yet for me... Marshall has talent! And his dark and desperate film is exactly as any good horror movie should be![/COLOR]
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